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	<title>cinema | nccr – on the move</title>
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		<title>Migration on Screen: Why Cinema Keeps Looking North</title>
		<link>https://nccr-onthemove.ch/blog/migration-on-screen-why-cinema-keeps-looking-north/</link>
					<comments>https://nccr-onthemove.ch/blog/migration-on-screen-why-cinema-keeps-looking-north/#respond</comments>
		
		<dc:creator><![CDATA[Lorenzo Piccoli]]></dc:creator>
		<pubDate>Wed, 15 Apr 2026 06:51:14 +0000</pubDate>
				<category><![CDATA[Practices]]></category>
		<category><![CDATA[Society]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[film analysis]]></category>
		<category><![CDATA[Migration]]></category>
		<category><![CDATA[migration narratives]]></category>
		<category><![CDATA[Representation]]></category>
		<guid isPermaLink="false">https://nccr-onthemove.ch/blog/?p=10644</guid>

					<description><![CDATA[<p>Migration has long been a recurring subject in cinema. From wartime displacement to contemporary border crossings, films keep returning to stories of departure, arrival, loss, aspiration, and belonging. Yet we still know surprisingly little about how migration is represented in films. Think about classic works such as “Casablanca” and “The</p>
<p>The post <a href="https://nccr-onthemove.ch/blog/migration-on-screen-why-cinema-keeps-looking-north/">Migration on Screen: Why Cinema Keeps Looking North</a> first appeared on <a href="https://nccr-onthemove.ch/blog">nccr – on the move</a>.</p>]]></description>
		
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