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	<title>migration narratives | nccr – on the move</title>
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		<title>Crises Don’t Speak for Themselves – They Are Interpreted Through Narratives</title>
		<link>https://nccr-onthemove.ch/blog/crises-dont-speak-for-themselves-they-are-interpreted-through-narratives/</link>
					<comments>https://nccr-onthemove.ch/blog/crises-dont-speak-for-themselves-they-are-interpreted-through-narratives/#respond</comments>
		
		<dc:creator><![CDATA[Maarja Vollmer]]></dc:creator>
		<pubDate>Wed, 27 May 2026 05:40:24 +0000</pubDate>
				<category><![CDATA[Narratives on Migration in Times of Crisis]]></category>
		<category><![CDATA[Politics]]></category>
		<category><![CDATA[democratic participation]]></category>
		<category><![CDATA[europe]]></category>
		<category><![CDATA[migration governance]]></category>
		<category><![CDATA[migration narratives]]></category>
		<category><![CDATA[polarization]]></category>
		<category><![CDATA[policy + research]]></category>
		<category><![CDATA[political inclusion]]></category>
		<category><![CDATA[public discourse]]></category>
		<guid isPermaLink="false">https://nccr-onthemove.ch/blog/?p=10686</guid>

					<description><![CDATA[<p>Migration and crisis are increasingly seen as interconnected, but their relationship is neither fixed nor self-explanatory. Migration may emerge as a response to crisis, a consequence of instability, or become framed as a crisis itself within receiving societies. Crises do not speak for themselves – they become politically and socially</p>
<p>The post <a href="https://nccr-onthemove.ch/blog/crises-dont-speak-for-themselves-they-are-interpreted-through-narratives/">Crises Don’t Speak for Themselves – They Are Interpreted Through Narratives</a> first appeared on <a href="https://nccr-onthemove.ch/blog">nccr – on the move</a>.</p>]]></description>
		
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			<slash:comments>0</slash:comments>
		
		
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		<title>Migration on Screen: Why Cinema Keeps Looking North</title>
		<link>https://nccr-onthemove.ch/blog/migration-on-screen-why-cinema-keeps-looking-north/</link>
					<comments>https://nccr-onthemove.ch/blog/migration-on-screen-why-cinema-keeps-looking-north/#respond</comments>
		
		<dc:creator><![CDATA[Lorenzo Piccoli]]></dc:creator>
		<pubDate>Wed, 15 Apr 2026 06:51:14 +0000</pubDate>
				<category><![CDATA[Practices]]></category>
		<category><![CDATA[Society]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[film analysis]]></category>
		<category><![CDATA[Migration]]></category>
		<category><![CDATA[migration narratives]]></category>
		<category><![CDATA[Representation]]></category>
		<guid isPermaLink="false">https://nccr-onthemove.ch/blog/?p=10644</guid>

					<description><![CDATA[<p>Migration has long been a recurring subject in cinema. From wartime displacement to contemporary border crossings, films keep returning to stories of departure, arrival, loss, aspiration, and belonging. Yet we still know surprisingly little about how migration is represented in films. Think about classic works such as “Casablanca” and “The</p>
<p>The post <a href="https://nccr-onthemove.ch/blog/migration-on-screen-why-cinema-keeps-looking-north/">Migration on Screen: Why Cinema Keeps Looking North</a> first appeared on <a href="https://nccr-onthemove.ch/blog">nccr – on the move</a>.</p>]]></description>
		
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