31.05.2023 , in ((Structural Racism))
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Marianne Helfer
Rassismus ist grundsätzlich strukturell angelegt. Das zeigt eine neue Studie des Schweizerischen Forums für Migrations- und Bevölkerungsstudien (SFM) im Auftrag der Fachstelle für Rassismusbekämpfung (FRB). Sie legt dar, für welche Personen und in welcher Form struktureller Rassismus in verschiedenen Lebensbereichen vorkommt. Doch was bedeuten diese Ergebnisse für die Institutionen in
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24.05.2023 , in ((Structural Racism))
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Annik Dubied and Andrew Robotham
Most Swiss journalists display a strong willingness not to produce news stories that discriminate. So, why are stories that reproduce or strengthen harmful stereotypes nevertheless published on a regular basis? When looking at the issue of discrimination in media content from a systemic standpoint, it seems essential to raise awareness
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19.04.2023 , in ((Creative Knowledge Transfer))
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Doris Niragire Nirere
Theater of the Oppressed (TO) was developed in the 1960s by Brazilian director, activist, and later politician, Augusto Boal as a participative platform, stemming from a long tradition making theatre a part of the democratic exercise of social and political commentary and engagement. Often used in social work, it is
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25.11.2022 , in ((Corps et espaces en temps de crises))
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Adeline Moussion-Esteve
Le thème des violences conjugales attire l’attention sur une figure particulière : celle de la « victime ». Mais à l’échelle de l’expérience individuelle, à quoi correspond cette catégorie ? Les femmes concernées se reconnaissent-elles dans cette figure ? Le parcours de Kahina, une mère voulant quitter son conjoint et refaire sa vie avec
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14.06.2022 , in ((Reflexive Migration Studies))
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Sophie Cranston and Karine Duplan
In political and popular discourse, migration is alternately portrayed as a problem to be managed or a danger to be fought. Consequently, the term appears to carry with it a set of social and political issues. Drawing on reflexive migration studies, it seems therefore appropriate to question how some mobile
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